The Aftermath - Part 3

It feels odd to discover at this age and this stage in my life what it is like to share the ordinary details of my domestic life with my father. There was never a need to do this when my mother was alive. We had a WhatsApp group, “Noor Ladies Only,” that documented the everyday travails of three young women navigating their lives and kitchens in different parts of the world, peppered by their beautiful mother’s selfies. When I look back through that group chat, I feel very strongly that it is a powerful time capsule, capable of taking me back to her, the Urdu script of her messages showing her hope, her resolve to fight the disease that was slowly colonizing her body, her devotion to her family. The group is silent now. We are trying to fill the silence with noise in “Noor Siblings Only,” “Noor Sisters Only,” and “The Noors – Papa & Kids.” It’s the last group that surprises me most often because of the obvious need for its existence and the fact that this need was felt most acutely only after my mother’s death.

It never occurred to us to have a space just with our father when our mother was with us. When Mama was alive, we had a whole-family WhatsApp group, too, but no one ever used it. Once a year, someone would send a message for Eid, and then we would all forget about it. Strangely, sometimes I feel that in dying, our mother propelled us towards our father. Perhaps the force of love she always held tight to her chest was set free upon her children, and we, drowning in our despair came up for air and held on to our father. Our father, in his particular way, allowed himself to be pulled by the current while holding our heads above water. He, being the father that he is, saved his children from drowning without making a sound.

I don’t know what we gave back to him – perhaps something that should have been his for years already. An openness. An acceptance. A love that does not have qualifiers, complaints, or expectations – the kind of love my mother gave to him (and us). It is strange to love my father so fiercely again at 32, like the way I used to love him at 12 – with a single-minded devotion, with unquestioning respect, with a grateful sense of pride for all he had achieved in his life, with admiration for his life-long struggle to rise above his circumstances, to give his family a secure future, to fight fate, to pour himself into his art. How fascinating this man is – I realize – something my mother always said, but I never saw. “I find him admirable,” she would say. “He fascinates me. There isn’t a man I have met in my life who is quite like him.” I shrugged off her comments. Sometimes I rolled my eyes at her. “You’re hopeless, Mama."

But I see it now – it descends upon me like an epiphany, the meaning of my mother’s words. He inspires fascination and admiration in me, too. I see why I am the way I am – hungry for more, for lofty goals, for new avenues to prove myself, to make a difference and a positive impact. I have always been his daughter, but now I see how alike we really are. It took me a long time to purposefully forget this fact, and its resurfaced knowledge crashes upon me with a blunt indifferent pain. Who is my father and why was my mother so devoted to him until her last breath? Isn’t is utterly fascinating, the story of this young orphan, who fought abject poverty and his slated fate to be completely mediocre and forgettable, and instead achieved fame, fortune, and the highest civilian honor of his nation -- all because he dared to believe that he could do something extraordinary in life and then went on to demonstrate this belief in his art. My parents are those rare people who fed their family from their art. They loved what they did for a living, and for a while, they did it together. I, like my father, have always run towards what I love, tried to find contentment in my work, but have always been riddled with this certainty that there is more I could be doing, there is a lot more work to do. And so, like him, I keep searching.

My father, now 66, rises early, does not believe in vacation, and works constantly. When he is not working on his projects, he is working around the house. He likes to work with his hands on everything from assembling furniture to cooking. In our WhatApp group, “The Noors – Papa & Kids,” he sent pictures of turnip curry he cooked one afternoon in response to the culinary creations of his three girls and the street food adventures of his son. The frame was artistically composed in his signature style: the food presented in a clear serving dish, a pomegranate, an apple, and a grapefruit in a bowl next to it, a small box of milk, two rotis. The caption reads: “Made shaljam for my Rukhsana today and said a prayer for her. I hope the aroma of this effort reaches her. Ameen.”

This is how we live every day after her – a little high, a little low. Always we find each other, these five wandering souls – the Noor Papa and his kids.

The Dead Teach Us Lessons

I have a very distinct memory of my cousin playing a metal harmonica as a boy. My cousin who died as a nearly 35-year-old father of two is forever preserved for me as that hazel-eyed child, playing an almost-melody on his harmonica. The trouble is, I cannot figure out if that memory is real or constructed. Maybe I heard from someone that he played the instrument and imagined the melody. Maybe it was someone else who played the harmonica and I conjured my dead cousin in his place. Or maybe he really did carry a small silver harmonica with a green trim in his pocket to play it from time to time. I have not asked my sisters if they remember him with the instrument, because I am afraid to shatter this image of him -- healthy, slightly brooding, slouching in a corner of the room, playing a tune.

I have another memory of him, too -- returning from an afternoon expedition across the neighborhood having collected small, unripe mangoes in a makeshift bundle created out of a t-shirt. We sliced the mangoes, a few of us kids together in the cool kitchen with the ceiling fan whirring, and sprinkled chaat masala on them. Then we ate each piece and scrunched up our faces as the tartness of the fruit hit our tongues. I am unsure about this memory also. Maybe it was another cousin who went stealing fruit from our neighbors' gardens that year -- the one who is alive and well. 

There are a few memories of him that I am sure of, most of them, I'd rather forget. We argued over something and didn't talk to each other for years. If we saw each other in our old neighborhood or in the home of a relative, I looked away, I stayed silent, I changed the course of my walk to avoid him. We didn't even fight over anything significant. It was absurd, really, and yet we kept hanging on to the silence for so many long years. I kept hanging on to it. Perhaps I would have broken the silence when I saw him last, over a dozen years ago, if I knew I would never have the chance to say another word to him. I don't even remember the last time I saw him -- it was so completely ordinary. It was probably one of those many occasions when I did my routine of seeing him and averting my eyes, not acknowledging his presence. I get so angry with myself when I think about this. How selfish. How immature. How absolutely frustrating. 

I am overcome with regret when I think of him -- and yet to this day, my solution to end complication is to walk away from it and never look back. I have learned on many occasions that this is a highly unhealthy way of dealing with unsavory emotions. It is extremely hard, however, to break this defense mechanism. 

There are certain realities that no one can argue with. Realities that afford no uncertainties, no what-ifs. He is dead. I am alive. We didn't speak for many years. I didn't get a chance to reconcile, see him as a father, meet his family in his presence. He couldn't do the same for me either. It is comforting to remind myself of the starkness of these realities, so I learn to value the people around me while they are still alive and not douse myself with regret after they are gone forever. It is humbling. 

There is one memory of him that swims to the surface without any effort at all. It is one I am certain of. For a year, I attended the girls' section of the same school that he went to. I was five years old. He was nearly ten. On two occasions while I was attending that school, he came to me to see how I was doing, concerned, brotherly, but reserved in his manner, speaking little, listening more. And one time, on this bright Spring afternoon, as I was about to sit in the car after school, I felt a tap on my shoulder and turned around to see his grinning face. My uncle, also his uncle, who was there to pick me up wrapped him in a hug, ruffled his curly hair. I don't remember what he said, what any of us said. I just remember the three of us standing on the side of the road, smiling, just happy to see each other. What a lark! How wonderful! What a marvelous co-incidence! That's what you think when such meetings happen -- that is why you get so happy when something like this occurs unexpectedly. You feel elated. And a little awed. And I miss that moment. I miss him as a boy with that disarming grin. I miss myself encompassed by that small happiness. I miss my uncle, loving us, his nephew and niece. 

Grief and regret are so similar -- they never truly leave you alone. They dull and deepen, dull and deepen, on and on. And they are selfish. You hang on to them possessively, because they make you remember yourself as you were with the person who is no longer here. They are as much about you as the one who is absent. 


It would serve me well to remember this. 

Photos by Rebecca McCue

Who are you? Where have you come from?

Who are you? Where have you come form? We spend our whole lives crafting answers to these questions. We spend day after day after day defining who we are, we try to stay true to ourselves, we attempt to be mindful of our values when we conduct ourselves in society, in polite company. Who are you, we are trying to figure out. Some of us spend years laying down roots. Others expend time and effort to distance ourselves from our roots, rise above our origins, overcome circumstances, elevate our situation in life. 

I am reading Anne Tyler's A Spool of Blue Thread these days and there is a scene in the book where we hear these questions as a character's internal musing. "Who are you? Where have you come from?" It made me think. What answer do I have for these questions. The answer I have is very different from what my father must have or what my child will have in the future. I come from a father who crafted a place for himself in the world, who rose above his origins, who fought against the status quo, who gave to his children more than he ever had. I come from writers, from dreamers, from parents who are brilliant and creative and flawed and sentimental. I, too, have risen above my own roots. I have done my fair share of challenging the norms. And there is so much work still left to do. What will my daughter say to these questions, I wonder. Will she know what it took for us to get here, her and me together? Will she know the depth of longing that had to be overcome? Will she appreciate the force with which I cleaved myself to reality and shunned sentimentalism to get here, to be me, to make her? 



In the same book, there is a scene later on in which the family's two daughters are packing up the house and their belongings, a home with two generations of history. It is one of those brilliantly written scenes that will resonate with every audience. A few months ago, my parents sold the house I grew up in. 404, we called the house, referring to the number. In my dreams, I still walk in that kitchen, I still splash water on the epoxy floor of the garage and glide a squeegee across the wet surface, I still sit at the rickety old dining table and demand lunch impatiently, with the entitlement of a first-born. In the book, the two women talk about picture frames and pieces of furniture and china and old clothes. I wonder what I would have taken from 404 if I had had the opportunity. Maybe the plaque my father installed in the drawing room that said "A daughter is love." Maybe I would have taken a chair, an end table, and maybe in the end, nothing at all, only memories of all the years we spent there. Sometimes I wonder how my mother feels about leaving that house. Does she dream of the pitter-patter of little girls' feet running up to her, does she think of the roof-top that saw so many summer monsoons lash across its concrete floor and just as many winter chills? "Why do we accumulate so much when we leave it all behind," one character muses in the book. And I nod my head in agreement with her. We accumulate so much, maybe as a protest against the very fact that we will leave it all behind, an act of defiance. 

In the end, when I come back to the original question, I think of my roots. The roots my parents laid in that small house, 404, all those years ago. The roots that traveled with them to their new house without me. I can't not think of that house and those years when I try to compose an answer to these questions. Who are you? Where have you come from? I have come from the city of dreams, I think. From a small house in the mediocre part of town. From people who defied boundaries and limitations and showed their children how to dream. But I taught myself to make them real. 

Photos by Rebecca McCue

Back to Basics

It is natural, I tell myself, to not feel particularly happy about the turn of the year. Why must I muster the enthusiasm of ten years ago, the festive evenings of foggy Lahore, the midnight trip to Data Sahib's shrine, the donation of a haleem deg to the street-dwelling citizens who counted on the generosity and ardent prayers of their middle-class counterparts for a free meal; or the celebratory visits to street vendors in the underbelly of the city, slithering with activity at all hours, food, chai, other vices; or the solemn prayer I offered every year specifically on the night that traversed two years -- make me good, make me how You want me to be, make it a good year, how You see it best. Why must I treat this as though it is any different from any other day of the year? It's not as if there is anything to celebrate or commemorate, really. 2014 was, after all, a taxing year for the world.

My heart finds comfort from the world at home. I find myself impulsively reorganizing cabinets, cleaning out the kitchen, finding expired boxes of cereal and smelly mason jars of sunflower seeds at the back of the pantry shelves and throwing them away. A new beginning of sorts. Clean shelves, a do-over for the pantry and refrigerator, and perhaps one for me at home in the kitchen. I find a salve for my restive spirit in making large meals, inviting friends and their kids for holiday lunches, taking out the nice china and then methodically washing and drying it by hand. As I write this, there is chicken curry bubbling on the stove, sautéed mushrooms ready on the side, a salad chopped and prepared. It's only us tonight and a friend we haven't seen in a while. We will gather around the table, talk about jobs and houses, about things that have nothing to do with having embarked on a new year -- the real things, the good things, the things that matter rather than the transient headiness one is prone to feeling at this time of the nascent year, the resolutions shiny and full of possibilities, that unmistakable sense of being at the verge of something significant -- an improvement, a second chance, a remedy for every mistake we have yet to commit.

And so, weary from the joy that surrounds me and without begrudging anyone their celebration, I find solace in simple things -- back to basics -- in cooking: smelling the freshly grated garlic roasting in the frying pan, watching the butter sizzle as it slides between the walls of the pan, the thickly sliced portabella whistling out a sigh as I press down with my spatula, the vegetables crisp under my practiced knife, such pleasure in the smells and sounds of a home-cooked meal; in poetry: in the books and magazines that have been piling up steadily over the last few months, collections and anthologies, books on writing, honing the craft, practicing it, owning it, and some delightful fiction, too; in writing: here; in thinking: everywhere. 

Perhaps that reads too much like a list of resolutions, but to me, it is an act of reaffirmation. Life is too short -- if there's one thing we have learned from 2014, it is that this cliche is unfortunately true. Staying true to yourself, to the things that delight you, make you you, give you lasting joy, is what you should be striving for. For me, it is coming back to the basics, to ordinary comforts, to little matters that matter.

Happy new year!

I Can Only Be My Best Self

These days I find myself wishing to be the woman who writes this blog, not just when I sit in front of my computer but all the time. Her life is pretty good. She is a poet and a clinical researcher. She has an adorable toddler. She has a lovely house on a hill and the ability to watch sunrise caressing the winding trails and roads sprawled below her. She has the luxury to write about things lost and forgotten from a safe distance. There are a few people who like what she writes. Every day, she is able to get at least two uninterrupted hours of listening to audiobooks. She is poised to do bigger and better things. She is so positive in her writing. She talks about seizing the day and bottling up happiness and loving her naughty toddler. She talks about cooking and loving. Her life is pretty good from this vantage point. Pretty damn good. And I want to have her life all the time rather than  during the single hour it takes me to write and proofread a blog post. 


 Yesterday, in a small group of smart and sensitive women that constitute the Desi Writers' Lounge Bay Area Readers' Club, we talked about The Goldfinch. I insisted that several characters in the book probably had personality disorders. Sahar Ghazi, an extremely perceptive member of the group and a dear friend, challenged me on this notion. "Why do you think they have personality disorders," Sahar asked. "We are learning about them only through the main character's perspective. Maybe they are completely normal and going through life on a pretense. Maybe they are not opening up their true selves in front of him. People live their life pretending sometimes," I am paraphrasing, but that is the general arc of Sahar's view. I think I presented a different  and opposing argument, something feeble and completely petulant like, "But I don't pretend. And who pretends? How can they do that?" Puerile - to say the least. 

The fact is, everyone pretends to some degree. Yes, this is the space where I come to be honest with myself, call myself on things that I did wrong, and talk about how wronged I have felt in the past due to other people's insensitivity. But honesty has degrees, too. It has layers and components. Often people reveal part of a fact and it is up to the reader to brush off the sand occluding their vision from this partial truth, and like an archeologist, try to determine what the whole story is. Think about it. We do it all the time. The missing pieces are sometimes inherently present in what is revealed - the tone of voice, the choice of words, the tangent of the neck, the slope of shoulders, the audible sighs, the wistful eyes. The bright smile that is plastered on one's face as a confirmation of happiness has nothing on all these other overbearing signs, and some poor folks are just completely transparent - I am beginning to think I may be one of them. 

I guess what I am trying to get at in a very roundabout way is that we often think our best self is our happiest self. That is not necessarily true. I am a poet - my writing is dependent upon being miserable. The poems I write when I am happy do not resonate with me and probably not with my readers. I need superficial tragedies, arguments, disagreements, hurt feelings, a sense of being wronged in order to create work that has even a whisper of being placed at a lit mag. And though most of the time I bring my cheerful positive self to this blog (and I will not be surprised if you all stand up and say, "But Noor, you are a morose writer and you don't bring your cheerful self to this blog"), that is not my "normal" self. When I write in this space, I emulate the woman I want to be - the one who stands in her balcony every morning watching the sun bleed into the sky, the one who feels a sense of utter and profound contentment, the one who writes about life's little matters because, after all, those are the matters that matter. I wouldn't say that it is an entirely inaccurate depiction of myself, but it is certainly an extension of my character. 

You'll forgive me, of course, for this pretense, won't you? I am a poet who likes to experiment with identity and belonging. This is a natural result of that, you see. In any case, I wrote very honestly just now, and so I must extend my hand towards you in salutation. Hi! Good to meet you today!

Photos by Rebecca McCue

Carpe Diem

Why is it that certain memories anchor you to your reality, and there are others that wash away seemingly without reason? I have forgotten people and time periods of my life. My sisters ask me sometimes, "Do you remember Bilal Uncle?" And my first reaction is, "Who?" And gradually they help me piece an image together. A young man, my father's friend. Peacocks in the vast garden of the hotel where they used to meet for afternoon tea, scones for the adults, ice cream for us girls. Is this memory real or invented or salvaged, I wonder. Do I really remember him, or is he like the character of a movie, and my sisters the screenplay writers who have brought him to life? Yet, there are the briefest of moments that have stayed so fresh in my memory that I remember the tiniest details: the single blade of sunlight falling over a sleeping baby's eyes, the rippling of my grandmother's chenille duvet between my fingers, the silhouette of my aunt when I last saw her alive - I was just 5 years old, and she was the most beautiful woman I had ever seen - that last time I saw her opening the heavy wooden kitchen door, wearing an orange kurta, her curly hair pinned back at the nape of her neck - just this image of her, and then - my mother's ragged shrieks waking me up from a deep sleep, our drive through wild monsoon rain to Sialkot, people gathered outside my grandparents' home, adults dissolving into screams of shock and grief, and my aunt's sallow face absent of life, the white shroud, the cotton balls tucked into her nostrils, my mother nowhere to be found, my mother, my mother, my mother, the panic, until I saw her collapsing near her dead sister's charpoy... 

Children should not be allowed to witness bereavement.

And why do I speak of memory now, so soon after remembering the darling Mrs. Khan who is with us no more? Many people reached out to me via the blog and Facebook to tell me how much the entry meant to them. They told me it made them remember the magic of Mrs. Khan. Some said it was like I was telling their story. She saw them when no one else did. Some told me that I have a very good memory - to which my immediate response is, "But I don't." And yet, there she stands, a pillar in my memory, strong, hilarious, full of happiness and compassion. You couldn't help but smile in her presence. I have established already that I had my bouts of introspection in school. My mind would wander off in the middle of classes. My closest friends dubbed me "Dreamy Noor," but Mrs. Khan had a way of snapping me out of my best reveries. She commanded attention, often with a joke, but sometimes simply with her presence. What a miraculous woman!

And my memory keeps bringing my beloved teacher back to me now in the wake of her death - in my dreams, in my thoughts, in my midday reveries that no one snaps me out of. From the outpouring of grief, but also that of wonderful, beautiful, happy memories that her students are sharing on the Facebook page in her memory, I can tell that she lives on in our collective memories. Every single student says the same thing - something along the lines of, "She made me who I am." Many insist they were her favorite. Can we even begin to articulate such a person's generosity and kindness who made so many people feel special at the same time? It's maddening if you think about it - I worry with 5 guests in my house that 4 of them will probably go home feeling unappreciated and ignored. Can you imagine making so many young people feel like they matter? Like what they've got to say is important? Making them realize that they can do anything? Be anything? This woman had super powers! She would have liked this compliment - I am smiling right now as I think about how she might have reacted to this.

With all the wonderful memories of Mrs. Khan being shared on social media, there is also this underlying wrinkle of regret getting fractured by the hour, expanding, swelling, "I should have stayed in touch with her." "I should have called her." "I should have given her a hug." I said to a friend that visiting her was on my Lahore Bucket List. I was planning to meet her when I visit my family in Lahore this winter after 12 years of being in California. I see this corollary of celebrating Mrs. Khan's life and her spirit along with harboring so much regret for not telling her what she meant to us (her students) engulfing every grieved heart, and it resonates very strongly with me.

Perhaps we should learn - Mrs. Khan may be teaching us an important lesson, still. Seize the day! I am in California and have been for over a decade, but what kind of excuse is that? I could have tracked down her email address with minimal effort, and I should have. But I never factored either of us dying into the equation of me eventually getting in touch with her. We never factor in death, do we? Tell the people who matter to you that they matter to you. That they matter. Like she told us every single time not in so many words maybe, but by listening, by giving, by laughing, by loving. Go give your teacher a hug. Tell your sister you're sorry, the fight you had really was completely stupid. Mend your differences with your parents. Tell your best friend you're sorry you don't call often, but you love her. Tell your husband, your wife, your child. Tell them because they matter and you never know when you may no longer have the privilege to do so.

Photos by Rebecca McCue

Until We Meet Again, Mrs. Khan!

Something happened before I reached Mrs. Khan's 7C class on the "senior side" of the Convent of Jesus and Mary, Lahore, with classrooms situated on the third floor of the school overlooking the front facing hallways and parking areas, one set of doors opening into the vast porticos and verandas. All I remember is that by the time I reached Mrs. Khan's class, I had mastered a dichotomous personality. In school, I was shy - some may have gone to the extent of calling me diffident. At home, I was a boisterous older sister - belligerent even.

I missed the first day of seventh grade. When I arrived on the second day, a dark Fall morning of 1995 with ominous gray clouds completely hiding the sun and dense droplets of rain battering my small umbrella, the classroom was swathed in sepia, a combination of the white overhead lights, the pale yellow walls, the polished wooden desks and the dusky sky outside. I took a seat quietly towards the front of the room. I was one of the shortest girls in the class, and by the time I reached seventh grade, I knew how seating charts worked at the Convent, how line formations were arranged during morning assembly and after lunch break, how we were supposed to file out of and into the classroom - shortest girl in the front, tallest in the back. I was usually in the first or second row.

On this day, I was anxious. There were some new faces in the class. Some of my closest friends had been shuffled to a different section. My thoughts had a singular focus: How strict was this new teacher going to be? I remember giving myself a pep talk, "Just raise your hand. Answer questions. Speak up." Over the last two years, as I had become progressively quiet in classes to the point of being laconic, I had also noticed a change in how I was perceived. The widespread impression used to be  that if a student didn't participate in class, she was not studious or intelligent. This opinion flowed freely among teachers and distilled down to students. There was no place for introspection at the Convent in those years. Cliques formed based on popularity. Little girls were ruthless in the playground and in school activities. Comparison and competition were handy tools in every parent's conversational toolkit. 

Sitting among my classmates in those few minutes before meeting my new teacher, I thought about the project I worked on in the previous school year. The class was divided into 6 groups. Each student group leader was supposed to select five or six members from the class. I was among the last few to be selected. With each leader calling out a name and the girl bounding happily towards her group, I felt anxiety and humiliation rising inside me. "Just because I am quiet," I scolded myself. "They don't want me in their group because they think I am stupid." What other reason could there be? If they had seen my report cards, they would  have known how good my marks were. Finally, mercifully, one of the group leaders called my name. She looked at me doubtfully, one perfect eyebrow arched, her smooth forehead furrowed in a frown. After the selection was over, three girls from my group cornered me and said, "We have chosen you, but you better work hard."

Rain continued to splatter all over the concrete hallways outside Mrs. Khan's classroom as I waited for her to arrive and pleaded with myself to come out of my cocoon. Mrs. Khan walked in the door, smoothing her curly shoulder length hair behind her ears, wearing maroon lipstick, belting out a cheerful "Good morning," in her soothing contralto voice. We shot up from our seats and sang out "Good morning, Miss." She proceeded to call out the names of her students to record attendance. When she got to my name, I said in my shy school voice, "Present, Miss." "There you are," she said looking at me and smiling. "You're finally here. Noor-ul-Ain Noor," she read from her register (that's how I spelled my name back then). "Noor-ul-Ain Noor," she repeated. "N, A, N. NAN! You're NAN! I love naan!" From that day forward, to Mrs. Khan, I was NAN, and to me, she was the woman who changed the way I saw myself and made me realize that I should probably care less about how others perceived me. This doesn't mean that I didn't continue to encounter negative experiences that most schoolgirls do, but I knew how to recover from the really bad ones. You just keep moving on, because you know that there are people like Mrs. Khan who believe in you.

It was a remarkable school year for me. Mrs. Khan taught us English language and literature. I poured myself into the texts we were studying. I read Frances Hodgson Burnett's A Little Princess in the first two weeks of school. I raised my hand whenever Mrs. Khan asked a question in class. Most weekends, I accompanied my family to our farmhouse. I remember lounging in a makeshift hammock under an ancient banyan tree, and working on an assignment for Mrs. Khan. It was to summarize a few chapters of A Little Princess. When I got my notebook back, I opened it to find compliments from her in the margins, "Excellent! Good! What an improvement!" I worked harder than ever before, and under her praise and guidance, I blossomed.

In the middle of the school year, Mrs. Khan announced an English language test. The test would include an essay and some grammar exercises. By this time, I had received plenty of praise for my writing from Mrs. Khan. She had given me meaningful comments on the work I had submitted. She had noticed my sentence structure, my story-telling. She had told me it was "very good." For the first time, I began to feel that what I had to say was important, what I had to say may resonate with someone. This was not like other subjects. This was not like an A in Biology, for which I had studied for hours and memorized the process of photosynthesis just as it was written in the textbook. This was something I was creating. I was putting myself into those essays, formulating a voice, an opinion, a style - and it was being read and appreciated.

That year, Mrs. Khan was single-handedly responsible for altering my perception of myself. I was still quiet in my classes, but I was learning to hold my pen confidently and tell a story with it. When I started working on the English language test, I was a different person - I was the character in the story I was writing. The topic was "A Fire." Those days, we were hearing about violence in Karachi, just as we hear about it now. Fires breaking out, bombs in marketplaces, scores dead in sectarian violence, or in poorly contained battles between warring political parties. In my story, I was not NAN. I was a girl in Karachi who went shopping before Eid festivities with her cousin and best friend, Saliha. In the marketplace, there was a blast followed by a fire, and Saliha perished in the flames. The conclusion of the story portrayed the grief of this child, the scorched clothes that would never be worn on Eid day, broken bangles littering the street - rather morbid for an 11-year-old to write, but it was the reality I saw every day in the news.

When Mrs. Khan passed the test papers back to us, I saw something that heartened me. "28/30 EXCELLENT!" She told us how well we had all done in the test, and followed this with an account of the story that had touched her deeply, made her cry. It was the best submission in the class, written by NAN. By me. I was best in class. I felt rather than saw curious and shocked faces of my classmates staring at me. I remember not knowing what to do with my own face. Should I smile? Should I remain serious? I settled for looking right at my teacher, the teacher who had inspired me to actually write that story to begin with. She beamed at me. "Well done!" Immediately, girls started asking me to pass my story to them so they could read it. I obliged - stunned, humbled, excited, happy, but most of all, grateful to this miracle of a woman, who probably never knew what a monumental positive force she had been in my life during that year.

Today, 18 years later, I still have that essay in my book of memories. Next to it I have a certificate recognizing my excellence in English Literature awarded to me by Mrs. Khan. These items have traveled with me from Lahore all the way to California. I have looked at them before every major academic event in my life. In my senior year of college, after pulling an all-nighter to study for the upcoming final of Eukaryotic Genetics, I opened up my book of memories and found that the story, written in fountain pen, had washed away, but Mrs. Khan's writing in red ball-point ink was still present. I breathed in looking at the essay, remembering that difficult time, the girl I was. I can take this final, no problem, I thought. Back then, my scornful classmates used to roll their eyes and warn me that I "better work hard." Now, my college friends playfully called me "the bitch who kills the curve with a 100% every time." I had come a long way from that lonely place, but my journey had begun with Mrs. Khan, with her kindness and her warmth, her compassionate eyes, her wide easy grin, her perfectly clipped nails, her fingers poised over notebooks with a red pen, and her comments on my work that elevated me in my own eyes.

Mrs. Khan passed away suddenly a few hours ago. I found out through the Facebook page for the Association of Ex Convent Students. From the shock and sorrow expressed by many young women on Facebook, I can tell that I was just one girl, one insignificant link in Mrs. Khan's epic story. There are hundreds of girls like me. There are more of us who don't fit inside a traditional mold than ones that do. We carry within us a plethora of stories. We may be shy or introverted. We may have witnessed our parents worrying about money. We may be the way we are because of other, more serious or sinister reasons. Abuse. Low self-esteem. Learning disabilities. Broken families. Mrs. Khan was among those rare educators who implicitly and readily recognize that there is diversity among their students. One size does not fit all. She knew it, and it came naturally to her. She listened to what her girls were saying to her. I could see it in the way she cocked her head to one side upon hearing a question, in the way she smoothed her hand over her hair, tucked a stray lock behind her ear, and said in that deep honey-dipped voice, "Now...", carefully weighing each word, looking right at the small face with the small voice, letting her know that her question was important, valuable, meaningful. Mrs. Khan will live on in the countless lives she touched and changed for the better.

My last meeting with Mrs. Khan was in August 2000, on the day I received my O-level result, which was absolutely average. My studying habits had lapsed considerably in my last year of school, and that was reflected in my meager 3 As. I don't know what came over me, but I went straight from school to Mrs. Khan's house and turned up unannounced at her doorstep. She opened the door and looked at me with concern in her eyes. "I have it," I said. "I have the result. It's not good. Only 3 As." She paused and took this in. "An A in English?" she asked me. "Yes," I said incredulously like she had insulted me. "Yes, of course I have an A in English." Her face broke into a grin. "Come here, NAN!" And she wrapped me into her arms.

Mrs. Khan's photograph copied from the Convent of Jesus and Mary, Lahore blog.

Photos of the school campus copied from the CJM ACES Facebook Group.

In Love We Trust

For a long time, I was drifting. I had everything that traditionally gives people a sense of being rooted and whole. I had a beautiful home, a great career, a pretty good husband who was a decidedly better friend, but I had this unwavering sense of being removed from the world, from reality, and a feeling of being dispersed, scattered, and sometimes, invisible. Flowers arrived every year on my birthday from my mother, and at the stroke of midnight, my parents-in-law called. My sisters (both of blood and marriage) filled my Facebook with displays of grand affection. And then we all went on with our lives, which were decidedly and categorically separate, not entirely because we couldn't talk about how full the moon was at the same time of the day.

And then something changed. I think it was the birth of my daughter that was the harbinger of this change. I found a singular focus - Jahan and her upbringing. I thought about my own childhood in a small house in a typical middle-class neighborhood in Lahore, always bustling with activity: Neighbors coming by to borrow sugar or eggs, or to drop off a plate of biryani, relatives dropping in unannounced, because there was no expectation to call first, my aunt and her children staying with us every summer, my mother waking me up every Saturday morning by announcing, "There's halwa poori for breakfast," going to Sunday bazaar or a sabzi mandi with my father to buy fresh produce. There was so much to do. Here, now, rooted as I was finally, thanks to motherhood, I didn't know how to provide a sense of family for my daughter. It is not right for everyone - this sense of being surrounded by people who love you, which also means that you are surrounded by many individuals who want things their way. It was certainly not something I was used to after living alone for almost a decade. And still, I found myself wondering. Will Jahan ever have what I had as a child - the absolute certainty that I was loved and treasured, not just by my parents, but by a close circle of relatives, too? Was it important? To what extent did all that love and attention in my formative years make me the person I am today?

For the last 11 months, I didn't have to wonder because my sister-in-law and her husband were staying with us. We were among family - the longest stretch in the past 11 years. This meant that I didn't have to plan my shower around Jahan's nap-time or wait for my husband to get home from work before I could do something around the house. It meant also that most days I came home to vacuumed carpets and a hot meal. Most nights, Jahan was delivered to me, bathed, dressed in her pajamas, ready for bed. If something came up at work, all I had to do was text my sister-in-law, "Can you please give Jahan dinner - I will be late." But these are superficial details. The most meaningful thing was that if there was bad news, any kind of bad news, we all carried a bit of it inside us and eased each other's burden of that knowledge. And if there was good news, any kind of good news, we all carried that inside us, too, and made it bigger, happier, better.

Two days ago, this period of having family with us ended when my sister-in-law and brother-in-law moved to a gorgeous new apartment just a few miles from our house. Emotional things were said. Gratitude was given. Love was shared. Promises were made. Traditions were initiated. "You are more than my sister," wrote my sister-in-law in a farewell card (even though we were going to see each other again that same evening). "Don't forget me now," said my brother-in-law. The mood was bittersweet all around, leaning heavily toward the "sweet." The couple was excited about setting up house. I was excited about relearning the long-forgotten dynamic of having my house to the three of us.

Then came the matter of the last meal in our house, which was a challenge for me to prepare, because I had run out of meat and this is a family of carnivores. The move was hectic and hard on the young couple. They were frazzled and extremely busy. And what did I decide to do as their good sister? Well, to trick them, of course. I bought two packets of extra firm tofu and prepared tofu tikka masala. I marketed this as paneer tikka masala to the family. While my husband was immediately able to tell it was tofu, he agreed to keep my secret. My gullible sister and brother not only ate the meal, but called me the next day from their new apartment to tell me how good it was. Then, I revealed my secret. "NO WAY!" They both cried simultaneously. "That was very sneaky! I HATE tofu!" "Apparently not," I said. But they were willing to forgive me and conceded that they had thought it was a strange kind of paneer, but it still tasted good. They trusted in me and my love for them so completely that they never even imagined I would subject them to the atrocity of eating tofu!

That's what love is in the end. The trust that someone is there, watching out for us. What I felt in my childhood home surrounded by aunts and uncles was not a brimming love, but a placid sense of trust that nothing bad could happen to me as long as they were all there. What is 11 months in the grand scheme of a lifetime? Nothing. What happens in that time-frame, however, is everything. The things you learn about each other and respect, the things you love to hate about each other, the things you hate to love, the small things, and the big things - it all matters. When they left, they took a part of our home with them, not in material things, but in memories, in habits, in thoughts, and left a bit of themselves behind. Now, this family, with its strengths and its weaknesses, exists in both homes.

Photos by Rebecca McCue - Rebecca took these photos on the eve of the move and inspired this blog post!

Telling Our Stories

“You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.”
― Anne Lamott, Bird by Bird: Some Instructions on Writing and Life

I drive the same way home every day. When I emerge from a bend on the freeway, circling on I-280 South past Page Mill, I see a breathtaking view ahead of me. On my left there are the domes of three hills, lush with small blades of grass today, a forlorn deeper green tomorrow, turning brown and patchy another day. On my right there is a towering house hidden behind trees. On an afternoon that blooms as an afterthought to rain, clear and clean, tufts of cottony clouds seem to be hovering above this house. On stormy days, the trees are swaying in front of the topmost tower's topmost windows. In winter, thickets of fog seem to leech on to the ocher exterior of the house and the naked tree limbs. In summer, the house looks bright, the trees full and fat, the sky glitters in the background. It's the same road, the same house, the same age-old trees, but they look different every day. As I merge on to the freeway, I wonder how the house past the bend in the road will look like and how it will make me feel, because it does evoke something different in me every time I see it. These feelings are colored by the successes and set-backs of the day, tinged by the bitterness of failure sometimes, flavored by the aftertaste of disappointment. Sometimes, I am able to find absolute beauty when I look at this house in the heart of the hills, because I bring my happiness with me. It may look like it is crumbling in a winter storm and I may still find it to be a metaphor for resilience, because despite the stony rain and the whipping winds, it stands like it always has, sand-colored with red trimmings around the window glass, peeking through the shivering trees. I find a new story during my drive home this way, and the image of the house makes me bookmark them.


There are so many stories I haven't told. Messy stories. Stories of fear and heartbreak and failure and disillusionment and strength and grit and joy. I don't even know where to begin to tell them. It's odd that I feel so full of these stories, but at the same time, I am so distant from writing one down on paper. To talk about just one, I want to shape a poem around an afternoon during my childhood that taught me a hard and menacing lesson about this world. I want to transport myself to that nine-year-old's body with the two pigtails and the new frock, the hammering heart, the small feet running past the iron gates, into the heart of the house, the trembling hands not knowing what to hold on to, the trimmed fingernails finding a sagging wax candle on a pillar near the stairs, scratching it, clawing at it, breaking it down. The mother looking at that nine-year-old girl curiously, pausing on her way downstairs, "What's wrong?" "Nothing," a croak from the child's parched throat, and all the while her soft nails cracking while shredding the candle to pieces.

How much does a writer choose not to tell in her story? How much should she tell? Anne Lamott, in her book Bird by Bird, suggests telling everything, but she also doesn't pretend that it is easy to do so. I can see how telling some stories that I have chosen not to share yet will be therapeutic, but I am afraid of the walls that I will run into over and over. I have built concrete mazes around these stories over the course of many years. How do I start breaking them down, how do I start peeling away the paint that is supposed to hide the ugliness of truth? How do I make myself remember...

Every day, when I come upon that house on the freeway, it makes its way into my story for that day. I package it into memory and put it away. I imagine different people living in it, caring for it, I embellish it in my mind, and sometimes I deface it. Today, having decided to write about the house and about the fear of sharing the other more sinister stories, I kept my eye trained on the hills, but I couldn't find it. One bend after another I searched the landscape, but I could not locate that house or the mounds across from it. I must have simply missed it as I was trying to merge with the oncoming traffic. However, this meant that I had to reach into the recesses of my memory and dig out the images I had filed away, unconsciously, for many days. I closed my eyes and I saw that house again when I began to write this post. I saw it as I had seen it on those wintry days, on rainy evenings, during high summer. I saw it and I wrote about it from memory. I must reach back to that nine-year-old girl. I must touch her bleeding fingers. I must hold her and tell her, It's alright. I can't make her say to her bemused mother, "I am so scared," but I can convince her to breathe, to close her eyes, to remember. I can look into her terrified face and say, Let me tell our story, and then somehow muster the courage to live up to this promise. 

Photos by Rebecca McCue

Reflections That Matter

I had a long conversation with a friend of mine today about something that matters a lot to both of us. Evidently, it matters more to her than it does to me. And how do you quantify something like this? I used to think you couldn't. But I learned otherwise, and here's a story to tell you how I did so. For a long while I did not speak with my father - familial differences and those of perspective, too, no doubt. I never stopped loving him, though, and being a parent now, I know that I could never love him the way he loves me. But in his Shakespearean way, he often complained to my sisters, "You girls, you don't love me at all, and that eldest one doesn't even think of me." "No, no," my sisters would rally back. "She does, too, so, so much. She thinks of you all the time. And she writes about you constantly." "She doesn't write to me," he'd reply. "How am I to know how much someone loves me if I don't see it." After learning of such conversations I would fume for weeks. Trust my father to be very much the King Lear in our lives. "So young and so untender," Shakespeare whispered to me  with the inflection of my father's voice in moments of weakness and guilt. 

But I get it now. How am I to know how much someone cares for me if their feelings don't translate into action? This is the very line I employ when I nag my husband. "You say you're sorry about putting the wet towel on the bed again, but you're really not, or you would listen and stop doing it." Cue in the emotional blackmail, "You don't even love me enough to do this simple task that I have asked you to do a million times." It doesn't work on him anymore, but I have already milked it beyond its worth. Essentially, we need to see reminders of caring and love and friendship and feelings to know they exist. 

Circling back to my friend and the thing we both care about - something lifted today. I was able to not just see but also recognize that what she was telling me was absolutely correct and had merit. How can I claim to care about something if I don't show with my actions that I do? Flashback alert: When I was eight or nine years old, I asked my father for a new pencil case. Some girls in school had ones with magnetic clasps, and I desperately wanted one. To this day, my father has never let me ask for something twice. That day, too, my request was promptly granted. We went to a stationary shop and he bought me a beautiful pencil case. When we came home, I arranged my pencils and erasers in it. A few hours later, my father called me to the sitting room and showed me the new pencil case lying forlornly on the floor by the sofa. I had forgotten it there. He didn't say anything. Instead, he waited for me to be embarrassed of my carelessness. He didn't have to wait long. I tried to explain that I would have put it in my school bag before going to bed, but that was not the point. I had been given something I desired, and I had discarded it after the novelty wore off. I would like to think that I have not forgotten this message, but that would be a delusion. Such messages often times need reinforcement.

I used to invest my feelings in people and things and endeavors. I still do, because this is something I cannot help about myself. I am not happy unless I am dissolved in something: a project, a birthday party, a family member's health, et cetera. But I have also started to reign in my enthusiasm for getting carried away with my feelings when I encounter new interests. I depend on people's appreciation of my efforts for encouragement, even sustenance. When my effort and attention go unnoticed, I become angry. I build fortresses around myself. I turn away, turn against, turn around. It didn't used to be this way. I did things selflessly. I did things because I wanted to, because they made me happy. Somehow, over time, my happiness became associated with what people were thinking of my efforts rather than the effort or the act itself. This is a weakness, and I am lately stunned by the inroads it has made into my character. "You transplant yourself into every conversation," my husband told me the other day. "You make everything about yourself. You like to be the martyr." Others have called me a "drama queen," in jest, but probably with a degree of seriousness behind the assertion. 


I realize that they are right. They are all right - my friends, my father, my husband. And it's all connected, but there has to be a balance! I believe that credit must be given where it is due. The kindness and generosity of people must be acknowledged and praised. Similarly, care and love must be shown in actions and behavior for the things and people that you claim to love and care about. However, I must strike a balance in my personality. I need to be alright with what I see in the mirror without embellishments. I need to ground myself in the belief that I am fine with or without anyone's appreciation. I am still me. I cannot and must not expect that everyone will acknowledge all the good I have done. Indeed, I should not do good with the vain hope that someone will see it and appreciate it. I should simply do good. Do what matters to me. Do what matters. And trust that it is enough.

Photos by Rebecca McCue